I’ve recently started to read books by Haruki Murakami after having a friend recommend one of his books, Kafka on the Shore. I actually started out by reading Norwegian Wood and then moved on to the former, and I’ve recently finished The Wind-up Bird Chronicle. I plan to post reviews on the other two books soon, but The Wind-up Bird Chronicle is what I’m writing about today. I had heard that this was hailed by critics as possibly Murakami’s best work and while I haven’t read all of his books, this one is probably my favorite so far, with Norwegian Wood a close second.
The book starts out in a seemingly normal world but soon enough, things descend into a strange mix of realms, including World War 2 history, dreams, surrealism and symbolism. Unlike many books I’ve read, while the main character is trying to solve a mystery, he eyes aren’t always closed to the symbolic and surreal nature of things. In fact, in Murakami’s work the characters often talk openly about symbolism and its role in their world. I suppose you could say that his characters aren’t always very realistic, but that isn’t always the point. They’re wonderful creations, their characters a mix of normalcy and intellectualism, some of them with very real human faults. I have a feeling that Murakami casts himself in the main roles, but not his complete realistic self. Instead, he conjures up a dream version of himself, stripping away aspects of himself and adding others. His work is about him and the way he sees the world without ever nearing the realm of autobiographical fiction.
The Wind-up Bird Chronicle is essentially the story of a man fighting for his normal life in extremely abnormal ways. It isn’t a short book because it isn’t a short story. His life is transformed from normalcy into insanity. He encounters highs and lows along his journey, and sometimes those lows are masquerading as highs and vice versa. He walks through his world collecting stories from the strange people he meets on his path and using those stories as both weapons against his foes and keys to the mystery he needs to unravel. In some cases, it almost seems that he becomes each character he encounters, making him stronger for his battles. Somehow, he’s fighting for all of their futures.
One thing I’ve noticed about Murakami is that certain things seem to resonate strongly in him. It’s obvious he loves all types of music, especially jazz and classical varieties. Food is always a welcome topic for me, and I can appreciate how he weaves it into his stories. What I found strange was the fact that he mentions springs (not water, but mechanical springs – things you apparently have to wind in some way) in both Norwegian Wood and in The Wind up Bird Chronicle. I can’t recall if he used this in Kafka on the Shore, but I understand the idea. I just wonder if it is a Japanese cultural thing or if it is just a personal thing for the author. I also wonder this about his continual mentioning of the ears of women as a source of sexual attraction. Is this indicative of a wider trend in Japanese culture/society or is this just Murakami? I can get that ears can be cute, but I just don’t seem to have the level of appreciation for them that he does.
In summary, I really enjoyed this book. It isn’t a quick read, but it is a worthwhile one. For me, the reading of this book was even better when I was taking my time. It is something to be savored, as each tiny fragment of information can mean more than it may initially seem. That being said, even if you figure out some key parts of the mystery, you’ll never unravel the whole tapestry and you’ll still be left wondering what could happen next. Whether you’re in for an intellectual challenge, a mystery, pure escapism or simply a good story, this novel really is worth a read.
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